Jeonju Daesaseupcheong(Jeonju Traditional Culture Building), founded in 2021, introduces a permanent performance system and presents traditional art performances every Saturday. With the annual number of visitors to Jeonju Hanok Village currently reaching 10 million, if the Jeonju Daesaseupcheong's permanent performance for tourists is activated, it will have infinite potential as a traditional art content and will become an unrivaled performance. This study has examined the current status of permanent performances on Saturdays and sought ways to enhance them based on a SWOT analysis of the Jeonju Daesaseupcheong’s performance report and Steering Committee’s activities. The results of the study are as follows. First, a promotional marketing strategy needs to be designed, targeting tourists in Hanok Village as main audiences for traditional art performances. Second, pansori-based Changgeuk(Traditional Korean opera) can be developed into a permanent performance repertoire. Third, a development of participatory content creation is suggested to encourage local residents’participation. This study makes some important contributions to suggesting the operational directions for the permanent Saturday performances of the Jeonju Daesaseupcheong.

The purpose of this study is to verify the effect of ‘Playing Metaverse Meta夢’ which is an ecological environmental arts education class incorporating a metaverse platform, on elementary school students' learning reality and active learning. Eleven elementary school students in the sixth grade from “A” Elementary School in Chungbuk were selected as the participants of the study and a single group pre-and post-design was used as a research method. This class was held for a total of six weeks from April 18 to May 23, 2023, for 90 min once a week. In terms of data processing, corresponding samples t-test and ANOVA were conducted through SPSS 21.0, and the significance level was p<.05. As a result, there were significant improvements in both learning reality and active learning. The study confirms that integrated art education contents using a metaverse platform, termed as ecological environmental art education, can increase elementary school students' learning reality and active learning.

This study analyzes William Forside’s Synchronous Objects for One Flat Thing, Reproduced from a geometric perspective. This dance is a digital work presented through an online platform, which combines various fields to produce 20 objects. The work uses geometric forms to express dancers’ movements and spatial interactions in various ways. In our study, the interaction and fusion of art and geometry are explored by analyzing the dancers’ movements by means of geometric shapes such as points, lines, and planes. It analyzes how various patterns and structures are formed in space when dancers pass each other or make synchronized movements. Therefore, this study contributes to geometrically analyzing and understanding the dancers’ movements and their uses of stage space by combining dance and geometry.

The purpose of this thesis is to interpret Salpuri-chum from the perspective of Adorno's mimesis and derive its argument from an aesthetic point of view. As a research method, a literature search method was used, and theoretical horizon research was conducted centering on ^『Aesthetic Theory_』 (1984), one of Adorno's books, and research was conducted centering on theses and academic journals related to aesthetic approaches. As a result, the theoretical horizon was derived by classifying firstly the meaning of Adorno mimesis, secondly Salpuri-chum as an aesthetic study, and thirdly Salpuri-chum through Adorno mimesis. This study contains the simple desire of the researcher to further expand the artistic value of Salpuri-chum, explore and analyze it from various perspectives, and inherit the preservation value of cultural and historical importance. And it is hoped that this study will contribute to the knowledge and appreciation of Salpuri-chum in a more developed form.

The purpose of this study is to discuss the role and tasks of the Korean International Accessible Dance Festival, which has contributed to the artistic development of people with disabilities since its launch in 2016. The study explores the meaning and role of the Korean International Accessible Dance Festival as follows: 1) the promotion of basic cultural rights of people with disabilities, 2) the pivotal role of dance for people with disabilities, 3) the establishment of stable performance production conditions, 4) the promotion of social awareness and interest in dance for people with disabilities, and 5) the connection of people with disabilities at home and abroad. Tasks to promote the professional development of dance for people with disabilitiesinclude the development of representative content, training and support for people with disabilities, and the development of related educational programs. This study can act as a cornerstone for the progress of discussions on dance for people with disabilities.

Through a case analysis of small business CEOs who have accumulated social stress as a result of the pandemic of COVID-19 and participated in a dance movement therapy program, this study analyzes and reconstructs Korean dance movements in order to develop a dance movement therapy program and presents its effects. This program incorporates meditation and breathing exercises based on Oriental philosophy. In particular, the study examined the development process and results of the program in order to expand its scope and apply it to stress, menopausal disorders, depression, and anxiety that are common among the general population.

Firstly, we found that gender neutralizing the feminine dance movements would make male participants more comfortable participating in the program. In addition, the dance movement treatment program using Korean dance movements was found to be an effective alternative complementary therapy for relaxing muscles and solving physical and psychological issues. Moreover, the Korean dance-based movement therapy program, which employs movements and sensibilities that are best suited to Koreans, can further improve the health and well-being of Koreans.

This study examines the significance of Korean performing arts history by focusing on the Little Angels’ organizations and management, the composition of the repertoires, and the meaning of international performing arts history. As a semi-professional organization, the Little Angels developed and operated the member selection musician system, and toured through overseas professional management in the early days. The repertoires of the Little Angels, including Korean traditional dance, music, and choral music were staged, established and systematized as the standard repertoires during the early activities of the cultural mission. Little Angels' dance was developed to be suitable for the children's group dances and the overseas staging of the new dance, and the choral repertoire, which included Korean folk songs and world folk songs played a major role in public diplomacy. As the only 'folk art troupe' among children's art troupes active in the international performing arts world, the Little Angels helped introduce Korean performing arts to the international audiences. Through the study of the Little Angels, a children's art troupe as well as a private art troupe with a 60-year history of international activities, this paper encompassed the history of Korean contemporary performing arts in a rich and stereoscopic way.

The Little Angels is one of the organizations that has served as a cultural delegation representing Korea since the barren art world of the 1960s and 1970s. One of the most outstanding achievements of the Little Angels, which celebrates its 60th anniversary this year, is the recognition of the excellence of our dance both domestically and internationally through a variety of dance repertoires. The purpose of this paper is to analyze the dance repertoire from various angles and to examine its characteristics. The characteristics of their dance repertoire include the establishment of our own repertoire as a cultural delegation, the creation of Korean dances based on New Dance, the development of categories encompassing both songs and dances, and the composition of works centered on group dances. Further, it is also characterized by the flexibility of program composition, the use of dance moves that students can perform, the educational effects that produced future leaders in the domain, the focus on the Little Angels repertoire rather than an individual choreographer, the relatively rare copyright issues, as well as the repertoire renewal appropriate to the current era. Through this research, it is possible to confirm the historical, cultural, and artistic significance of the dance repertoire that has been passed down over the past half century.

This study examines periods, characteristics, activities, and the significance of the 60 years The Little Angels, a Korean children’s performing arts troupe. The research was conducted through a literature survey, the review of primary data including concert programs, newspapers, films, and interviews with key informants. The troupe formulated members, management, and repertoires during its ‘Formulated Period,’ In its ‘Cultural Ambassador Period’ in the context of the International Cold War and nation-building, the troupe played its role as a cultural ambassador with the mission to dispatch Korean culture to the “free world,” beginning with the US, then Europe, Asia, and South America. In the ’Private Troupe Transition Period’ of the 1980s, the troupe focused on domestic rather than overseas activities, yet performed at major events like the Seoul Olympic Games. After 1991, during its ‘Peace Delegation Period,’ the troupe again concentrated on overseas performances in the post-Cold War context and toured the USSR, North Korea, China, and UN nations that participated in the Korean War. This study examines The Little Angels unique position and provides a rich and multi-dimensional views of contemporary Korean performing arts history as created by the intersection of global and Korean concerns.

Wu XiaoBang new dance art aesthetic thought is examined in this paper in order to shed light on the significance of revolution and progress. XiaoBang critically adapted both western romantic ballet and German expressionist dance, and developed the essence of Chinese classical culture. He proposed a new dance art in accordance with aesthetic in the new era of China. Based on a literature review, this study analyzed the aesthetic thought of new dance art from four aspects: dance performance, dance creation, dance education and dance theory. Research papers on new dance art, one-line books and critical essays are used to analyze the development history of modern dance in China and to understand the formation and development of new dance art. In summarizing Wu XiaoBang formation and development of new dance art aesthetics, this research makes a significant contribution to the development of dance discipline and training principles.