This study examined examine the effect of resilience on dance performance confidence of university students majoring in modern dance and to investigate the mediating role of psychological well-being in this relationship. Data were collected from 154 modern dance majors across Korea using a non-probability sampling method, and an online survey was employed for analysis. The validity and reliability of the collected data were confirmed through factor and reliability analyses, followed by multiple regression analysis and mediation analysis based on the procedure proposed by Baron and Kenny (1986). The results indicated that resilience had a significant positive effect on dance performance confidence, and that psychological well-being was found to mediate this relationship.

This study aims to analyze the characteristics of domestic and international dance performances utilizing VR technology, focusing on immersion and interactivity, and to explore their future potential. To achieve this, five works showcasing prominent collaborative features of VR-based dance performances implemented between 2016 and 2023 were selected for case analysis. The production processes and interviews were thoroughly examined to specify the developmental potential and limitations of VR dance performances. The findings are study highlights the collaboration between VR technology and dance performances as a means to create new artistic forms that enhance immersion and interactivity. It is expected to contribute to the development of specific methodologies that expand the expressive potential of the body and actively engage the audience.

This study examines the role and relationship of moving image among various art genres collaborating on dance performances. Six works by the Buripuri Dance Company, a private organization from 2004 to 2015, and 12 works by the Gangwon Provincial Dance Company, a professional organization, from 2017 to 2022, were analyzed 41 moving image clips were used in 18 dance performances. In this study, we collect and screen capture shots of 41 moving image clips out of 18 dance performace. We presented 12 expression methods that can distinguish the purpose and use cases of moving images from the perspective of stages, dancers, and audiences based on the contents commonly presented in six previous studies for work analysis. The 12 expression methods can distinguish the purpose and characteristics of the moving images for the dance performance. As a result, the most important reference point in the relationship between dance performances and Moving Images revealed in this study is the choreographer's intention. In addition, close collaboration between choreographers and video designers can not only improve the work's workability but also increase the understanding and immersion of the work from the audience's view. Therefore, this study is a records 20 years of choreographers and Moving image designers to create dance performances with high workmanship.

The purpose of this study was to examine the cases of community dance in America and to find out how to revitalize local dance. For this purpose, Marylee Hardenberg, who played a major role in the Mississippi River revival through a site-specific dance performance, Pat Granny's Dance program for Prisoner called 'Keeping the Faith' and Brooklyn's Care for the disable in a community dance program by Mark Morris were examined. In conclusion, the methods of activating local dances include first, use of specific places to create site-specific performance, second, development of programs for prisoner which can communicate with local publics and third, development various community dance program for disable.

This study focuses on the sociocultural and artistical interrelations between the "Korean Dance" and two of the most popular non-textual forms of mass media - commercial sound recordings (gramophone records) and films (feature films, newsreels, documentaries) - between the 1930s and 1960s. First, this study focuses on how gramophone records were employed through the Korean dance recitals during this period, as well as on what type of music was used in these recitals. Second, this paper examines the films documenting "Korean Dance" shot and produced during the time period in question, and discusses how these films were produced and how it has impacted establishing the "Korean Dance" through its mass distribution. By doing so, this paper attempts to provide a preliminary suggestion on how the "Korean Dance" has made its transitions over time, as well as an opportunity to historically understand the actual manifestation of "Korean dance" during its earlier days of a modern form of performing arts. It can be strongly argued that a strong sense of a historical parallel is revealed between the historic development of the Korean Dance in the early 20th century Korea and the development of the notion of Korean national culture, as both came into their modern manifestation through a series of constant interactions between Korean premodern cultures and the modern foreign cultures.

The purpose of this study is to classify the types of site-specific dance performance based on the characteristics of the site. To analyze the types, I examine articles, interviews, reviews, and internet sources about site-specific dance performance. In conclusion, the general site type is not just the dismantling of the boundary between everyday life and the arts but has the characteristic of a place that provides an opportunity to remind us of our ordinary life through the connection of the subject of work from the characteristics of the everyday venue. The site of specific meanings type is a museum with its own cultural and historical meaning, or the theme of the work is connected from the characteristics of a place where free access by the general public is not possible, and through this, an opportunity to create partnerships with local communities and institutions. The episodic site type is that the subject of the work is connected from the discarded and useless place, and through this, it provides an opportunity to reflect on the historical meaning of the past and concerns about the issues currently occurring at the performance venue. This type has the characteristics of a place that presents the possibility of regenerating the place again.