This study aims to examine the moderating effect of work-life balance perception on the relationship between job autonomy, job satisfaction, and organizational commitment among professional ballet dancers. To achieve this goal, a survey (April - June 2024) was conducted among 151 professional ballet dancers (employed, freelance, temporary, and part-time) residing in Seoul and Gyeonggi Province. The results (PLS SEM) reveal that job autonomy has a statistically significant positive impact on both job satisfaction and organizational commitment, and that job satisfaction, in turn, positively affects organizational commitment. However, while work-life balance perception has a statistically positive effect on job satisfaction, it negatively moderates the relationship between job autonomy and job satisfaction. These findings suggest that although professional ballet dancers place high value on autonomy within their organizations, their demand for work-life balance may, paradoxically, detract from job satisfaction when both autonomy and work-life balance are highly prioritized.

As a result of the spread of smart phone, the new communicational tool, SNS is used for diversity part of economy and culture. Among domestic dance compaies, SNS is used for marketing, communication tool for audience. This study aimed to research the domestic dance company’s SNS focusing on Facebook. For this Durpose, the research tools, acting respond indicators (‘Like’, ‘Share’, ‘reply’) were investigated and compared. As to know current state of the domestic dance company's SNS using, researcher could come up with apropriate SNS using tips for the future. In doing so, I selected 10 dance companies in a location of capital area and compared the kind of SNS and choosed 2 major dance companies that were good at SNS. Major research tool was SNS-Current Using State Investigation papers developed by the leading studies and the paper refered to domestic theses, books and academic journals, searching the internet. The suggestion of using the domestic dance company's SNS were as follows: First, the domestic dance company has to upload the latest news, involving beauty value that can give pleasure to Facebook users. And the quality of posting is important. Second, the domestic dance company's Facebook has to leads the Facebook users to reply or share their posting. Third, the domestic dance company's Facebook properly uses the funtion of uploading movies in Facebook.

The purpose of this study is to analyze the commercial “NYC Ballet's Young Patrons Circle” from the semiotic viewpoint. The commercial was produced by the New York City Ballet to recruit new young patrons and to draw the internet inherent meaning in the online commercial. The study is a qualitative study that used the precedent thesis, relevant books, and internet materials in literature research, and it analyzed the video secured from the official YouTube page of the New York City Ballet in the video analysis. This researcher studied the inherent ideology in the online commercial by applying the semiotic viewpoint of Roland Barthes.

Giselle, along with Swan Lake, is one of the most widely-loved and frequently-performed classic piece of ballet. The first full-act premiere of Giselle in Korea was performed in December 10th of 1975 as the 17th period performance of the Korean National Ballet. Giselle, often considered to be an indispensable part of the repertoire in most professional ballet companies, has been said to be one of the most important pieces of classical ballet throughout the entire ballet history. The premiere performance of Giselle was a historic event which provided a steppingstone for the Korean ballet company to grow further into the next level. In this study, we aimed to ascertain historical truth about the first full-act premiere of Giselle in Korea and to draw historical implication. As research strategies, we collected and analyzed historical literature materials as well as conducted interviews with important figures. Our historical investigation indicated that the premiere of Giselle of 1975 triggered a significant leap toward a next level of performing art in general, not only of Korean ballet. Another important value could be found from its being a challenging attempt under the worst of conditions notwithstanding. In a similar vein, the premiere of Giselle had a particular significance due to its being the first independently performed full-act premiere without any help from outside the country. The first full-act premiere of Giselle was made possible due to the passionate devotion and inspiration of a few major figures