This study compares the sugeon dance traditions of the Yeongnam and Honam regions to examine regional distinctions and cultural significance. Through literature analysis, comparative video review, and archival research, it identifies differences in rhythmic structure, handkerchief technique, and stage adaptation. The Yeongnam tradition reflects the formal aesthetics and restrained movement style associated with court dance through its Gyobang and Gwonbeon lineages. In contrast, the Honam tradition demonstrates dynamic expressiveness through the interplay of regular and syncopated rhythms and diverse handkerchief techniques. Centered on the respective transmission lineages, both traditions have formed significant strands in modern Korean dance while reinforcing regional identity and community cohesion. However, the study confirms the need to establish a comprehensive digital archive and strengthen international accessibility. By exmining regional diversity within the shared genre of sugeon dance, this study provides foundational material for the globalization of Korean traditional dance and discussions on cultural heritage. Keywords Traditional Dance, Yeongnam Sugeon Dance, Honam Sugeon Dance, Jeong Sosan, Sin Gwan Cheol