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                                Iconographic Study on Uigwe Jeongjaedo(Ⅰ) -With a focus on , , , , and -                                의궤 정재도의 도상학적 연구(Ⅰ) : <가인전목단>ㆍ<몽금척>ㆍ<무고>ㆍ<아박>ㆍ<포구락>을 중심으로                                ×
                                 
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            ISSN : 2383-5214(Print)
ISSN : 2733-4279(Online)
        ISSN : 2733-4279(Online)
            Asian Dance Journal Vol.36 pp.183-221 
DOI : 10.26861/sddh.2015.36.183
        
    DOI : 10.26861/sddh.2015.36.183
의궤 정재도의 도상학적 연구(Ⅰ) : <가인전목단>ㆍ<몽금척>ㆍ<무고>ㆍ<아박>ㆍ<포구락>을 중심으로
            Iconographic Study on Uigwe Jeongjaedo(Ⅰ) -With a focus on , , , , and -
             
        
        
         Abstract
        This study examined Jeongjaedo of , , , , and  from iconographic perspective, which was compared with holgi recording for the analysis of the basis and practice of mudo. Jeongjaedo delivers the most distinctive elements of the Jeongjae dance, including not only those recorded in holgi but also those not shown in it. , flower dance centering on hwajun, illustrates the dancing process of dancers’ playing, picking flowers and then dancing.  is a dance based on the 2 dae and 6 dae jwaudauhyeong. It illustrates the introduction, the conclusion and the development of a dance recorded in holgi.  illustrates the dance mostly performed with the buk, which depicts the dancing before and after dancers pick up the drum stick.  is a dance with the abak which describes the dance after dancers pick up the abak.  illustrates the dance that depicts those enjoying poguhui with gumun in the center. The same contents tend to be drawn repeatedly in jeongjaedo, but the pictures of yeoryeong and mudong are classified. Sometimes the same content is repeated in as many as 5 pieces of pictures. Jeongjaedo presents different dance structures according to different dynasties and ceremonies. It also presents the arrangements of the dancers, the directions in which they are supposed to look and different dances for respective dancers. Jeongjaedo condenses multiple contents in one piece of picture. Therefore, it tends to be complex and multifaceted. All of the jeongjae pictures follow the same style with fixed positions of the dancers. Depending on the kind of jeongjae, some jeongjaedos repeat the same content, while others depict different contents. The reason that each jeongaedo was drawn in different style is that the contents of jeongjae found in holgi are to be presented in diverse contents condensed in one piece of picture. Therefore, for a complete comprehension of holgi jeongjae, it is necessary to go through several related jeongjaedos. Jeongjaedo especially reflects well the characteristic of jeongjae, which is the performance carried out based on formation and makes up for limitations of the written records of Jeongjaemudo Holgi. 
              
    








