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Research on Grotesque Realism of Songpa Sandae Play viewed from the Reasoning of Mikhail Bakhtin 미하일 바흐친의 사유로 본 송파산대놀이의 그로테스크 리얼리즘 연구 ×
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ISSN : 2383-5214(Print)
ISSN : 2733-4279(Online)
ISSN : 2733-4279(Online)
Asian Dance Journal Vol.45 pp.41-64
DOI : 10.26861/sddh.2017.45.41
DOI : 10.26861/sddh.2017.45.41
미하일 바흐친의 사유로 본 송파산대놀이의 그로테스크 리얼리즘 연구
Research on Grotesque Realism of Songpa Sandae Play viewed from the Reasoning of Mikhail Bakhtin
Abstract
The purpose of this study is to reveal the realistic characteristics of Grotesques Realism in the Songpa Sandae Play, which is one of the Korean mask dancing, by applying Bakhtin's theory. In particular, this study analyzes focusing on interpreting the components of the dancing body as the meaning of "becoming“ The section III analyzes the components of the body, dance, props such as the mask and a doll, the accompanied music, and spatial structure with the framework identified in the discussion on Grotesque Realism. Ultimately, the essence of the grotesque realism of the Songpa Sandae play is to interpret the performer as a leading figure in generating the people's laughter and creating the people culture. Therefore, the study on dance of mask dance that cannot exist beyond the body of the performer needs to be treated with special importance.
바흐친, 송파산대놀이, 제 9과장 취발이놀이, 그로테스크 리얼리즘, 생성, Bakhtin, Songpa Sandae Play,
